questão |
resposta |
provides objective ways of describing and analyzing the range of sounds humans use in their languages começar a aprender
|
|
|
|
|
identifies precisely which speech organs and muscles are involved in producing the different sounds of the world’s languages começar a aprender
|
|
|
|
|
focuses on the physics of speech as it travels through the air in the form of sound waves começar a aprender
|
|
|
|
|
focuses on the effect those waves have on a hearer’s ears and brain começar a aprender
|
|
|
|
|
the sound patterns of particular languages, and in what speakers and hearers need to know, and children need to learn, to be speakers of those languages: in that sense, it is close to psychology começar a aprender
|
|
|
|
|
the realizations of an abstract unit, appears between slash brackets, and is conventionally represented by IPA symbols, in (e.x. /k/) começar a aprender
|
|
|
|
|
the sound the speaker is producing - phonetic representation of a phoneme começar a aprender
|
|
|
|
|
their distribution must be predictable, and, if one phone is exceptionally substituted for the other in the same context, that substitution must not correspond to a meaning difference. começar a aprender
|
|
|
|
|
- a current of lung air set in motion by the respiratory muscles in the production of speech. começar a aprender
|
|
|
|
|
the direction of airflow is inwards começar a aprender
|
|
|
|
|
the direction of airflow is outwards começar a aprender
|
|
|
|
|
any speech sound produced by pushing air up from the lungs and out through the mouth and/or nose, they are usually classified according to place of articulation, the manner of articulation and the presence or absence of voicing. começar a aprender
|
|
|
|
|
the sound in which the air comes out without any friction, they are mainly divided into two parts - monophthongs and começar a aprender
|
|
|
|
|
the vibration of the vocal cords during the production of a sound começar a aprender
|
|
|
|
|
the noise that is made when air escapes after a plosive consonant sound. In English, aspiration is an important feature in whether we hear a sound as /p/ or /b/ at the beginning of a word. começar a aprender
|
|
|
|
|
a mark near or through an orthographic or phonetic character or combination of characters indicating a phonetic value different from that given the unmarked or otherwise marked element começar a aprender
|
|
|
|
|
determined by the physical place of articulators within the mouth where a speech sound is made. começar a aprender
|
|
|
|
|
the active articulator is the bottom lip, and the passive articulator is the top lip começar a aprender
|
|
|
|
|
the active articulator is again the bottom lip, but this time it moves up to the top front teeth começar a aprender
|
|
|
|
|
passive articulator is the top front teeth; the active articulator is the tip of the tongue começar a aprender
|
|
|
|
|
produced by the tip or blade of the tongue moving up towards the alveolar ridge começar a aprender
|
|
|
|
|
are produced with the blade of the tongue as the active articulator, and the adjoining parts of the alveolar ridge and the hard palate as the passive one começar a aprender
|
|
|
|
|
are produced by the front of the tongue, which moves up towards the hard palate começar a aprender
|
|
|
|
|
the active articulator is the back of the tongue, and the passive articulator is the velum, or soft palate começar a aprender
|
|
|
|
|
they do not involve the tongue: instead, the articulators are the vocal folds, which constitute a place of articulation as well as having a crucial role in voicing começar a aprender
|
|
|
|
|
determined by how close the active and passive articulators get começar a aprender
|
|
|
|
|
- the sound articulated if the active and passive articulators actually touch, stopping airflow through the oral cavity completely for a brief period of time começar a aprender
|
|
|
|
|
during their production the active and passive articulators are brought close together, but not near enough to totally block the oral cavity começar a aprender
|
|
|
|
|
the subclass that consists of sounds which start as stops and end up as fricatives começar a aprender
|
|
|
|
|
the active and passive articulator never become sufficiently close to create audible friction. Instead, the open approximation of the articulators alters the shape of the oral cavity, and leads to the production of a particular sound quality. começar a aprender
|
|
|
|
|
the velum is raised and pushed against the back wall of the pharynx, cutting off access to the nose começar a aprender
|
|
|
|
|
are produced with air only passing through the nasal cavity for at least part of their production começar a aprender
|
|
|
|
|
binary feature that describes vowels which are produced with the front of the tongue raised towards the hard palate começar a aprender
|
|
|
|
|
binary feature that describes vowels that have the tongue raised most towards the roof of the mouth começar a aprender
|
|
|
|
|
vowels may be either rounded, where the lips are protruded forwards, or unrounded, where the lips may be either in a neutral position, or sometimes slightly spread começar a aprender
|
|
|
|
|
they change in quality during their production, and are typically transcribed with one starting point, and a quite different end point; they are typically long vowels. começar a aprender
|
|
|
|
|
diphthongs that have the first element as longer and more prominent than the second começar a aprender
|
|
|
|
|
they all have the mid central vowel schwa as the second element começar a aprender
|
|
|
|
|
where the second element is more close than the first, this includes all the diphthongs ending in /ɪ/ and /ʊ/ começar a aprender
|
|
|
|
|
the perceived number of syllables corresponds to the number of peaks in a sonority profile, assuming the sonority scale. começar a aprender
|
|
|
|
|
the consonants that are preceding the peak (they are not obligatory in a making of a syllable) começar a aprender
|
|
|
|
|
contains the ‘syllabic’ element, the segment that is more sonorous than both its neighbors (typically a vowel) começar a aprender
|
|
|
|
|
resulting unit of grouping the peak and the coda together, it plays an important role in the rhyming conventions of poetry começar a aprender
|
|
|
|
|
consonants that follow the peak (they are not obligatory in a making of a syllable) começar a aprender
|
|
|
|
|
the aspect of phonology that answers the questions about the syllable: any constraints on possible clusters and sequences hold within the syllable rather than the word. começar a aprender
|
|
|
|
|
a group of consonants that appear together in a word without any vowels between them começar a aprender
|
|
|
|
|
principle states that consonants should be assigned to the syllable onset rather than the syllable coda começar a aprender
|
|
|
|
|
it has a ‘syllabic’ segment (the peak), single, unbroken sound of spoken or written word começar a aprender
|
|
|
|
|
- occurs when a vowel is at the end of the syllable, resulting in the long vowel sound (words are not closed by a consonant) - CV começar a aprender
|
|
|
|
|
occurs when a syllable ends with a consonant, resulting in a short vowel sound - CVC, VC começar a aprender
|
|
|
|
|
consists only of a nucleus, as in the English words "eye" or "owe" começar a aprender
|
|
|
|
|
a syllable that has a single-X rhyme - unstressed syllable are light começar a aprender
|
|
|
|
|
a syllable that has a two-X rhyme - stressed syllables are heavy começar a aprender
|
|
|
|
|
consonants that belong to both the preceding and the following syllable - they are syllabified ambiguously começar a aprender
|
|
|
|
|
a consonant that forms a syllable on its own (a syllable where there’s no vowel) ex. button, bottle, sudden, history, widen começar a aprender
|
|
|
|
|